“Deadpool”: Ryan Reynolds superhero trash – TF1

Deadpool, is the most atypical anti-heroes of the Marvel Universe. Originally, his name is Wade Wilson: A former member of the Special Forces become mercenary. After undergoing an extraordinary experiment that will speed its healing powers, it will become Deadpool. Armed with new capabilities and a black humor manic, Deadpool will hunt down the man who almost destroying her life.

Created by author / artist Rob Liefeld and writer Fabian Nicieza, Deadpool is a particularly funny and quirky anti-hero who belongs to the Marvel universe. His film adaptation looks like a series of challenges. Challenge, at first, not to disappoint the fans as the first appearance of the superhero in X-Men Origins: Wolverine had left most supercilious skeptical. also challenge for Ryan Reynolds , actor capable of much when well directed ( Captives by Atom Egoyan, for example), dragging Green Lantern as a pan. And finally challenge for a studio, the Fox in this case, which must find a fair balance, probably comforted by The Guardians of the Galaxy and Ant-Man . The real question is how to give new blood to a genre depleted.

Where director Tim Allen – animator and special effects, to whom we owe the generic Millenium , David Fincher – a exit door is that Deadpool certainly embodies the most unconventional and most unpredictable character of the heroes of the Marvel stable. And thus, it has all the resources to attract those who, a priori, do not feel concerned by superheroes and hate political correctness.

Judged from too violent, the first script of the film had to be rewritten to avoid too heavy a ban. Deadpool will eventually be rated R in the US, which means that minors (17 and under) must be accompanied by an adult if they want to see the film. In France, the film is PG-12. Inevitably, as it was necessary to soften the line, not the punk demolition company hoped-even if we laugh anyway pop dialogue ( “I’ll make you that Limp Bizkit had to music in the 90s “) and that was fun ambient disrespect, in terms of its generic delirious and its sexual connotations.

In the end, the production, admittedly a bit torn between the fierce hint of irreverence and respect plane-plane conventions, is fairly pleasing in his evil spirit and bad taste. Especially since Ryan Reynolds flourishes like a fish in water.