Event Jacques Audiard
The highly anticipated film by Jacques Audiard, Dheepan was screened on Thursday morning Croisettte. And before the screening, the filmmaker was already one of the favorites of the competition. Free interpretation of Persian Letters by Montesquieu, a text in which a Persian philosopher visited Paris in the eighteenth century that the filmmaker transposes in our time. It follows a family of Tamil political refugees leaving Sri Lanka to settle in France, in a sensitive city where the father will find a guardian of work. Despite some reservations, viewers seem captivated by this new Audiard promised to find a good spot in the charts.
Love according Gaspar Noé
Calling his film Love “contemporary melodrama,” explains Gaspar Noé have wanted to “show love state of sexual side” during the press conference in Cannes. “Everyone thinks only kiss … Why the most glorious moments in everyone’s life could not be represented? I do not feel there is any transgression in the film. There is nothing that we had not seen elsewhere, nothing shocking “, he began. “Today, the explicit sex is everywhere. You can not fight against what the world has become, but we can try to clean this sexuality become a schizophrenia of the relationship,” the filmmaker about the internet sex .
The fact is, the projection of Love on Wednesday night caused a stir but in the end and despite the applause, returns are less glowing than could suggest the end of projection at three in the morning. And as summarized Thierry Frémaux, “Gaspar Noe made a film like it or you do not like.” We have collected some reactions.
A hot hot hot to climb the steps Love
There is no time to climb the stairs in Cannes, even at midnight the lights are still on. For the new Gaspar Noé, Love , the projection was scheduled for midnight. The subject and especially the nature of the film did not allow a schedule more “accessible”. That did not stop the room full display. Shortly before the start of the film director and its unknown actors could walk the red carpet at the sound of Sex Bomb , in a more relaxed atmosphere that contrasts with the somewhat stilted image of the marches early evening. Even the photographers have indulged in some swaying.
And for the tired who have not had the courage to ensure late or those who were able to access the crowded room, more than 2,000 people formed a queue for over an hour before, a catch-up session was held Thursday morning. Also under assault, some were unhappy.
Hou Hsiao-Hsien plunges Cannes in the ninth century China
The Taiwanese Hou Hsia-Hsien is among the regulars Cannes . Jury Prize in 1993 with The Master of puppets , he hopes to seduce the jury this year with The Assassin that looks like a painting on silk. The film explores the genre of wuxia, inherited from the literature of the ancient Chinese, which portrays the adventures of “Knight Errant”. Except this time, the knight is a signet played by the sublime Shu Qi. A film full of charm that has captivated much of the press: “Maybe the most beautiful film by Hou Hsiao-Hsien,” said the American Variety.
Sophie Marceau, it’s also nice to back
Sophie Marceau has everything shown in Cannes especially involuntarily. We remember her panties during a red carpet, her breast to the arrival of an evening. His appearances are therefore eagerly awaited, each scrutinizing the slightest misstep. But it is often greater than professional presents our national star, smiling and generous. On the red carpet of the film Mountains Depart May, she was smiling and radiant in a silver sheath with a sublime back … naked.
Jacques Audiard’s as at home in Cannes, proof …
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