there Was a time where celebrities are scrutinized, photographed and their words dissected, retweetées, Eva Green still retains its mystery. Of her, of her private life, no one knows nothing, or almost nothing – his mother is Marlène Jobert, redhead arsonist who made the beautiful hours of the French cinema of the 1970s, before the birth of her twins, Eva and Joy, in 1980.
OUR FOLDER >> Eva Green
What is more precious than to keep its share of shade for an actress? The filmmaker finds himself faced with a blank page where everything seems possible. And, since its inception “sensuellissimes”, in Innocent of Bertolucci, 2003, the journey of Eva Green avoids the beaten track. She has not turned in the Hexagon since Arsène Lupin, 2004.
And the James Bond Girl of Casino Royale in 2006, has not seized this opportunity to tackle Hollywood. Eva Green goes big productions to films with the same intensity, it was seen as a witch in the crossroads of the worlds, by Emma Bovary in modern times in White Bird in warrior’s sharp in 300, in a silent rebel in The Salvation…
Eva Green in “Miss Peregrine and the children in particular”, by Tim Burton.
Prod-DB-20th Century Fox-Chernin Entertainment-Scope Pictures-Tim Burton Productions
Averse to all spirit of chapel, it has also long since broken down this boundary more and more tenuous between the small and big screen, embodying in particular the hypnotic Vanessa Ives in the series Penny Dreadful,, which earned him a nomination for the Golden Globes last January. This is an artist who knows how to play as much – and with – his physical as of his interiority.
Heroin burtonienne high color
“I gamberge always too much before a shoot,” she says, but I approach my character with the body, more than by psychology.” This side unclassifiable and his taste asserted for the moods of gothic the prédestinaient to become a heroine regular Tim Burton. With Miss Peregrine and the children in particular, she found the director who had already directed in Dark Shadows (2012). “I grew up with the movies of Tim Burton, especially Edward scissorhands. as a Teenager, he identifies himself easily to this hero too different to integrate in the society, but who tries in spite of everything to be happy.”
The first meeting between Eva and Tim lasted ten minutes, during a casting classic: “The show must seem pretty surreal. He shook the arm in all directions, I looked at the ground, and outside, a thunderstorm rumbled.” Its entry blazing in the family burtonienne is marked by a body-to-body delirious with Johnny Depp.
In Miss Peregrine’s…, adaptation of the best-selling American Ransom Riggs, Eva Green embodies a governess little ordinary children with supernatural powers. “A kind of role the top in the color that I had never had the opportunity to address”, she says, before clarifying: “But I can already hear the comments. Why not play you ever of characters normal?”
This Mary Poppins party-hearty him yet a new benefit brought by the genius of Burton. “The ability to listen Tim offers the freedom and the courage to surpass themselves.” The sentence may seem agreed, except that, in Burton, it is all a question of dosage. Do little would be a contradiction compared to his style. Doing too much would be to reduce it. Miss Peregrine is on this thin thread, Eva Green, gives the tempo.
She has already followed up with other adventures. After Euphoria, director Swedish Lisa Langseth, alongside Alicia Vikander, who on the product, it’s going to turn in based on a true story, by Roman Polanski, adapted from the novel of Delphine de Vigan by Olivier Assayas. The two men know mystery. The enigmatic Eva will marvel in their universe.
Miss Peregrine and the children in particular, by Tim Burton. In cinemas.
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