Marina Foïs, Nicole Garcia and Laurent Lafitte are nominated for the César 2017, but not for “Dad or mom 2″. – Tibo & Anouchka / 2016 – CHAPTER 2 – PATHÉ PRODUCTION – M6 FILMS – NEXUS FACTORY – UMEDIA – FARGO MOVIE
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She, Frantz and Ma Loute laugh, but a lot of others cry. The announcement of nominations for the César 2017 Wednesday has placed the films of Verhoeven, Ozon and Dumont among the favorites for the ceremony, scheduled for 24 February. But she has also done a lot of disappointed, which could legitimately be expected to compete. Small review of the films and artists who have been unfairly snobés.

The comedies are once again forgotten when it comes to Caesar. Of course, Victoria of Justine Triet is in the starting blocks to win trophies, but this film unfolds mostly a wry humour, tinged with a certain melancholy. in My Loute of Bruno Dumont is at the rendezvous, but his fantasy gasps and gags her hysterics are more clivants. Side ” a comedy for the general public, as they say, it is broke.

of course, Les Tuches 2 and Camping 3, the big winners at the box office 2016 not to be distinguished by their qualities of film, on the other hand, Dad or Mom 2 would have been a worthy representative of this humor French capable of brewing wide. The authors Alexandre de la Patellière and Matthieu Delaporte, to whom we must first Name, which was césarisé in his time, would have been able to compete with their scenario. The dad and the mom of the title could also have been nominated for this film… They were eventually to other : Laurent Laffitte in the second male role for She and Marina Foïs, the actress, for Flawless.

It was expected among the favorites, Repair the living has to be satisfied with only one nomination, that of best adapted screenplay. Katell Quillévéré would have been a serious candidate for the trophy of best director, as she had managed to counterbalance this story on the donation of organs by staging air and light, enveloping the viewer’s gaze in a cocoon.

Inspired by the acclaimed novel by Maylis de Kerangal, the film had everything to reconcile the critic and the public. And it was just beautiful. We have also seen a quote from César in the supporting