A pleasure shared by 20 Minutes to which the film offers a treasure trove of inventiveness: “Stop-motion (puppet we do move frame by frame), classic cartoon or cut paper: Mark Osborne juggles with techniques to offer an observation enchantment and many visual surprises. ”
Le Point welcomes a work with a lot of heart, but may lack a little subtlety between “blows of scriptwriting strings and sentimental dialogues “. The film sheets also holds a film has two faces, blending “big machinery and sublime poetry.”
But the magic did not reach all logged and some do not lack eloquence in denouncing “this mass of talent gathered for a variation that becomes questionable, fast enough, betrayal “as so aptly Télérama . A particularly severe due to the character of the little girl “slapping”, “what to do to turn Saint-Ex in his grave …”. Libération is not tender on this project “an infinite ugliness”, assuming that the producers think clearly morons children and “devoid of eyes.”
Judgment severe or earned? In its majority the press seems satisfied with this new version Petit Prince and pending public input is allowed in first the final word: “In terms of cinema is more than a promise Clothing: The Little Prince big screen found here a kind of final form. ” That being said.
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