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Paul McCartney held until today the top spot with 730 million pounds. U2 singer Bono of the group dethroned, reports the British newspaper The Mirror.
And if he has made a career in music, it’s not the work that explains the first place. Rather in 2009 by acquiring 2.3% market share of the social network Facebook that the Irish singer made his fortune. Valued at 56 million pounds initially, this gold mine after six years amounted to 940 million pounds, or 1.4 billion euros.
“It was sweet, cultured, kind, humble, discreet …” Alexandre Aja not say enough to describe Wes Craven, his mentor, died Aug. 30 suites with brain cancer. “We did not expect it. He never talked about his illness, not even to people very close to him … He kept the secret. I will miss him. We will miss him,” said the young filmmaker French, voice imprint of sadness. “Against all odds, he came to horror by accident and stayed for curse. He deeply longed to make a different kind of cinema, more connected to life, to reality.” Nevertheless, the maestro will be remembered thanks to a rich filmography in cold sweat. By Alexandre Aja offers a detailed top 5.
1. The Elm Street
“This is the first horror movie I wanted to see in my life. Based an original story, Wes Craven managed to score his hero in the collective imagination, like the bogeyman before him. Everybody knows Freddy Krueger, even those who have never seen The Elm Street . All that exceeded the simple framework of fiction or pop-culture. It is a form of myth. The result haunt us forever. He has the power to create an insidious fear that accompanies the spectator during long. “
2. The Last House on the Left
“Unlike all postmodern filmmakers, Wes had the humility to say when he was offered to make a film of horror ‘. I do not know how to go against For I made documentaries and I can base myself on that’ Drawing from La Source Ingmar Bergman. He has staged something new, never seen. Shot in the shoulder, this film of extreme force, is one of the most traumatic experiences I’ve had. He d Besides big influence for High Voltage . Thanks Wes! “
3. The Hills Have Eyes
“Here, Wes Craven has transposed in the California desert a true story that took place in Ireland in the 15th century. A relevant idea which gives rise to a delusional world. Certainly, it is not up to the previous two. It has aged, the actors are not very good but there is the continuity of ideas. I remember was delighted discovering the remake. He was quite proud. It was a way for him to reclaim this film he was not necessarily satisfied. “
4. The People Under the Stairs, and Shoker The grip of darkness
“These three features are equal in their inequality and fascinating in their uniqueness. They are extremely well seal Wes Craven. We are far from the quality of the Elm Street or The Last House on the Left but they exude a charm and incredible ambition. And it ?, despite their very next series B. Their strength They are based on very original soils: The basement of fear from a news item, Shocker wonders if one can escape his past and his executioner and The influence of Darkness works as a documentary on voodoo. “
5. Scream
“C. is a monument in the history of cinema considerate. He unfortunately marked a decade a bit poor. I think of all the films that came out as Remember last summer or Urban Legend … All these turnips that killed genre cinema in the 90s … (thinking) Scream a crazy qualities: an impressive scenario of humor, a realistic scene setting … The killer stumbles, falls, takes shots … This one does not usually see. The knife strokes are real because the person giving is human. Wes hesitated a long time to realize it because he was afraid of possible miscellaneous violent, as was the case after the release of The Last House on the Left . “
The director of Elm Street died Sunday at the age of 76. But how the master of horror he had the idea of the terrifying clawed glove worn by Robert Englund, who hacks people in their dreams?
Although its creator Wes Craven died Sunday frightening Freddy Krueger continues to haunt the collective imagination – and its worst nightmares. Launched in 1984 with The Elm Street , the first saga of the American horror director was inspired by a news item of Los Angeles Times : a Cambodian child, traumatized by the Vietnam War, refused to sleep because of his constant nightmares. One evening, he had managed to get to sleep, his parents were awakened by her screams, before returning to the lifeless and face marked by terror.
Wes Craven then imagines a serial killer in the burned face and which, at night, is murder of young people in their sleep. What makes this even more terrifying bogeyman? His weapon: a glove decorated with large sharp blades, he wears most often the right hand. “I was looking a fear deeply rooted in the collective subconscious. I found that animal claws and I transposed in a human hand “, had explained at the time the director of Scream . An anecdote that the director had also shared on his Twitter account last year, on the occasion of the thirty anniversary of the release of Elm Street .
A few days after , the director confided that the first time that the actor Robert Englund tried the famous glove interpéter the character of Freddy, he had accidentally cut.
In the original script, Freddy Krueger himself manufactures even his weapon with fishing knives and an old leather glove in an old abandoned boiler room. During the first six components, the glove consists of only four claws, the thumb being excluded. In 1994, Wes Craven’s New Nightmare , he has five, because the weapon is part of the hand of the killer. Wes Craven put a point of honor to the glove gives the impression of being easy to achieve. If that was the case at the beginning of the saga, the weapon appears much sophisticated in the remake Freddy’s Elm Street , released in 2010.
Yet another transformation is expected: according to the website The Tracking Board, the production company New Line Cinema is preparing a new film adaptation of Wes Craven. Little information Filte yet but already we know already that the script will be signed David Leslie Johnson ( Esther , Conjuring 2 ).
It is always a terrible irony to see a name of horror cinema ad patres go. The talent of Wes Craven to play with death in his films do not have the forearmed against the grim reaper: the filmmaker died yesterday afternoon, Sunday, Aug. 30, at his home in Los Angeles, carried away by cancer brain. He was 76 years old.
A native of Cleveland, Wes Craven studied English, psychology and philosophy, and even teaches a time as professor at the university, before performing “Last House on the left “, in 1972. Tour for a ridiculous budget and quasi-amateur conditions, this story of two friends struggling with a bunch of guys and sadistic rapists – Craven says she was inspired by the” Source “Bergman – traumatizes the public. Of all the classic horror films that have reinvented the genre in the 1970s – “Night of the Living Dead,” “The Exorcist,” “The Texas Chainsaw Massacre,” “Halloween” – remains today still the most unhealthy and disturbing.
But it is with “Elm night “in 1984 that will have a lasting Craven collective imagination: it invents the character of Freddy Krueger, the big bogeyman burned face and gloved hands blades, which kills his victims in their dreams. The creature, great, is both executioner and victim, mirror of our childhood fears (to protect themselves, we must prevent sleepiness) and product of a sick society (born of rape, Krueger, of his lifetime was a child killer, the parents in her neighborhood were burnt alive).
“The Elm Street” marks the first appearance of Johnny Depp (in a small role) and won the Critics Prize at the Avoriaz Fantastic Film Festival. He invented especially a cult monster will be many suites (Craven will accept to sign one, the seventh, “Wes Craven’s New Nightmare”), a TV series, comics, games video …
Twelve years later, Craven portrays the script by a young screenwriter Kevin Williamson, horror fan. Banco! “Scream” returns the genre to date with its post-modern approach (early two years ago by Craven himself in “Wes Craven’s New Nightmare”) which allows the filmmaker to entertain codes that it was involved in erecting and attract a new generation of viewers.
Back to the top the box office, now celebrated by Cahiers du Cinema, Craven took the opportunity to change register and sign a musical melodrama starring Meryl Streep in violin teacher with disadvantaged kids. Commercial Bide, “Music of my heart” is an Oscar nomination for Meryl Streep – and allows Craven met Bill Clinton, which he will film the last days in the White House.
Sentenced to a genre that did visibly inspired, Craven has spent the last fifteen years of his career to capitalize on the franchise “Scream” (three unworthy suites), to miss his other films and co-produce remakes of his classic initiated by Hollywood – that we remember from “The Hills Have Eyes” by Alexandre Aja, higher than the original.
Wes Craven was not a great stylist but a storyteller and outstanding ambianceur. It has continued to anchor his films in the newspaper of a provincial America and families apparently without history, to make them switch to the nightmare of violence and revealing tainted values on which they are based. His tribute to horror films is immense.
Nicolas Schaller
article
5049173
Culture
Death of Wes Craven, master of horror movies
(AFP) – Director Wes Craven legend, master of horror movies including “Scream” series and “Nightmare on Elm Street” has died at the age of 76 years, Hollywood Reporter.Wes Craven said Sunday suffering from .. .
http://www.leparisien.fr/laparisienne/societe/culture/deces-de-wes-craven-maitre-des-films-d-horreur-31-08-2015-5049173.php
2015-08-31 6:10:46
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Female News, Society, Women, 2015, death of, wes craven, master, films, horror
On the occasion of the distribution of Casablanca tonight on Arte, here are 5 things to know about the masterpiece of Michael Curtiz, led by Ingrid Bergman and Humphrey Bogart.
What is it about?
In Casablanca during World War II, the hottest nightclub in town is run by Rick Blaine, an American in exile. But there is also a refuge for those who wish to obtain the necessary papers to leave the country. When Rick evening sees land a political dissident Victor Laszlo and his wife Ilsa, what is not his surprise to find in these circumstances the great love of his life …
It happens when?
This Sunday, August 30 at 20:45 on Arte.
1. If the use of the term “chef -d’oeuvre “is often overused, it is not so when it comes to talk of Casablanca. Indeed, Michael Curtiz’s film, released in theaters in 1942, came in second place in the ranking of the 100 best films of all time by the American Film Institute (AFI), just behind Citizen Kane by Orson Welles, . released a year earlier
= & gt; See other masterpieces, according to AFI
2. A true masterpiece, whose shooting has been somewhat chaotic. Married at the time to Mayo Methot, Humphrey Bogart regularly suffered the wrath of his wife, convinced that he had a relationship outside the trays Ingrid Bergman with her partner. The latter has had to deal with a co-star particularly tense and stressed. You will agree, these little annoyances do not affect the chemistry on screen.
3. The script was written from day to day, which n ‘ has not failed to destabilize the company of actors, eager to finish quickly with the film. Humphrey Bogart clung regularly with director Michael Curtiz. Ingrid Bergman was, in turn, somewhat disoriented because without a completed script, she did not know the two men with whom her character was supposed to finish! Curtiz, very philosopher, then advised him “The play between the two” .
4. And precisely this purpose, let’s talk. A poignant end who will snatch the most sensitive of us, some totally justified tears. But in 1987, another copy of the film was sent to Rio Festival: In this release, Ingrid Bergman did not take the plane and ended up in the arms of his great love Humphrey Bogart. Even if we all dreamed, Casablanca would not be what it is with this happy end , of which only a few have benefited festival. No regrets.
5. The film has been shot during the Second World War, production was not allowed to turn into an overnight airport, as suggested by the scenario. The team therefore had to compete ingenuity to can the famous final scene. This is indeed a plane that is seen behind the protagonists. But a plane … cardboard! To give an illusion of grandeur, the crew members are played by little people. The movie magic …
Michel & amp; Michel pay tribute to the greatest masterpieces of cinema
False Connection Issues Bonus
23.20 The concert of Chemical Brothers , boosted by its riot of effects, image and video ends. Popular with fans, some very young. After more than two decades of career, the band still knows how to hold a stage. Two huge blue and red robots appeared and launch laser beams with their eyes! Latest sweats of this edition on a giant dancefloor with some of their classics like “Block Rockin Beats” …
22.50 Run The Jewels This is dynamite! While the Chemicals Brothers bastonnent on the big stage, hip hop fans have responded to the terrors of micro El-P and Killer Mike on the smaller stage of Industry. An audience of highly motivated experts who knows their caustic and political rhymes by heart. Landed on the “We Are The Champions” by Queen and welcomed as it should by the sign of the hands is their logo (a fist facing a labor-shaped gun), the duo offers a euphoric set to the communicative energy . As if sent by their Dj beats were not powerful enough, the two American accomplices respond with urgency and an amazing percussive machine gun flow. We have heard such velocity than Kate Tempest recently (there are two days at Rock en Seine) and coincidentally it and they are scheduled in the coming days in the amusement park parody Dismaland orchestrated by Banksy, a man decidedly taste!
After chained smiling hits from their two albums including “Blockbuster Night Part 1,” “Lie, Cheat, Steal,” “Close your eyes (and count to fuck)” and “All Due Respect” dedicated to people struggling to Ferguson, the share duo on words of Love to the public. “We Love You, We Love You, thank you so much, goodbye”
22.10 Enter concerning planing Chemical Brothers , a refrain repetitive on a very heavy bass. They finally appear on vibrating sounds and effects of dancing lights. Clubbing atmosphere facing the big stage.
Run The Jewels at Rock en Seine
© Culturebox screen capture
21.25 Wow, what a slap! Writing Culturebox love Parquet Short from their passage here two years ago. And it is still full membership! Their supercharged punk garage, very square and free both worked wonders. At the crossroads of the best of New York and London post-punk, they exude a positive and inspiring energy. When will the big stage of Rock en Seine? In two years?
Parquet Courts at Rock en Seine
© Olivier Flandin / Culturebox
21.00 Go for Alt-J on the scene of the waterfall, another great expected time of this third day.
“Tonight is our last summer festival it ‘s gonna explode together. “the singer of Alt-J color ad in almost perfect French. In the dense crowd from the stage of the cascade, everyone seems to know the words unclassifiable songs of the group. And “explodes”, this is true even if it is unclear whether the musicians and screens do not help, their energy and public enthusiasm are communicative.
20.00 Tame Impala at least as expected Sunday at Rock en Seine that hookers watch on the Main Stage, sulfur and less apprehension. With its monumental but clear and precise as we would like to be rewarded more often in this place, Kevin Parker and his family sent from the second as the masterful “Let it Happen”, flagship of the new album “Currents” released in the heart summer. We waited and he dare: the way broken record sequence placed in the heart of the piece, that irritating incongruity during the first listening become so addictive that now calls the great
Barefoot. dressed in a shirt pink tie and die, the Australian leader of the psychedelic revival in recent years to the crowd and expressed his joy at being “back at Rock en Seine” where his band had played the same place two years ago.
19.50 The hoarse voice Mark Lanegan , former companion of Kurt Cobain resonates on the stage of the industry.
19.30 For more than two years now, it has closely followed the rise of Jungle , led by Josh and Tom, two multi-instrumentalists childhood friends and producers from London. Since the small stage in front of the Nouveau Casino 150 people to this major stage Rock en Seine, their pop funk has never disappointed. And for good reason: they have always made their chips with the scene in mind. Surrounded by two musicians and two singers, they held their tubes with a science of unstoppable groove: “Platoon,” “The Heat”, “Busy earning” and “Time”, while the album goes there and the public take this bubble warm to dance languidly. They are perfect but we can not help thinking it’s time to take back to the studio to renew the set. To see replay on our website.
19.10 very sparse before the Public Live Pressure scene to discover the new draft Luke Temple that has clearly not captivated festivalgoers who preferred to move to Jungle. It is true that the atmosphere is much more relaxed here, but also very attractive. With this group called Here We Go Magic , the singer from Brooklyn rose from his folk pop classic style to a much more daring rock tinged New Wave 80s and African music. A rare opportunity to ask for a moment in the hectic pace of the festival.
18.40 The British Hot Chip make the public dance to the Main Stage, it moves in all directions. We are surprised to hear a “Happy Birthday” sung in a voice pop Daft Punk or “Dancing in the dark” Springsteen electro sauce.
18.00 A little pop, a little soul, a little electro, Seinabo Sey offers a powerful show that owes much to his voice, deep and haunting, which grips you and keeps moving. She speaks (in English) with the public, does not hesitate to embark on a song a cappella: “We have the melody but has not yet occurred, we thought you were going to sing “…
17.45 The festival publishes now his attendance figure of 2015: 120 000 people over the three days . Like last year. This is the maximum gauge. Record equaled, Rock en Seine has filled up during the three days of excellent health sign!
17.10 They are not many people who came to listen to Natalie Prass Live on stage pressure. Retro melodies it accompanies a light, childish voice make you want to dance slow dances cheek against cheek and hair slicked back, returning 50 years back. That does not mean she has no guts: some of his songs more rock and more modern offering a mix of genres amazing. The crowd thickens elsewhere …
We had not seen so many people on stage the Casdade has this hour since the beginning of the festival. Ty Segall and his two friends had surprised everyone with their heavy album psyche and it goes on stage. To those who found the drive a bit gloomy, Fuzz responds with silliness. The three boys are playing with a good humor and total commitment. And despite a bit messy side is totally enjoyable
Fuzz Rock en Seine
© Gilles Scarella – Studio France Télévisions
Sacred Ty, we want more (if our eardrums can take a little shocked).
Natalie Prass 16.50 starts in five minutes, before the person scene Live pressure. Where festival goers are?
16.25 Come and see what kind of wood to warm the French rock phenomenon Last Train on the stage of Industry. The singer and guitarist Jean-Noël plays and sings as if his life depended on it. Very young mad dog, it does not take up, holds his guitar as a driving a racing car, braille his lungs and regularly launches fine stump up. In the fourth title, there is more and down into the pit has to rub the crowd. During the break misleading the song, the audience roared in anticipation of the power jet he feels unstoppable rise.
My Morning Jacket 16.15 began her concert on the big stage. Straight landed in Louisville, Kentucky, Jim James and his comrades rake off musically, melting rock, pop and folk, among others. Their sound enveloping has style. Party at the end of the advanced stage, the singer’s head is covered with a black towel and sequencer carries his around his neck.
With its trippy and very sophisticated melodies, while remaining strong, My Morning Jacket managed to tame the public of the afternoon, not the easiest.
15.30 Shirtless, hat and big smile to the lips, Juan Wauters and look of Jonathan Richman brings a breath of fresh air on the lawn of the stage of the cascade . Accompanied by two companions roads in unprecedented style, the songwriter recites with great generosity beautiful folk walks in front of a portrait surtitles “Who me?” Crude art of great sweetness. Perfect for an early sunny afternoon. A report that Juan Wauters was signed by the label of Mac DeMarco (Captured Tracks), a rowdy others who impressed here last year.
15.20 A singer dancing as if his body was made of rubber, a similarly elastic voice, slightly doctored, crossed the synths, this is the recipe for psychedelic rock Pond . The musicians, most of whom also play with Tame Impala, have many fans on-enthusiastic about the scene Live pressure, generally more confidential. And fan, it must be to lay sweating in the music Pond. “It’s hot damn. I like being dropped in a pool,” says the singer. Pond mean basin, very appropriate.
14.50 We knew we could count on them, the five boys We Are Match does not disappoint us. But in this early third day Rock en Seine, their set proves beyond expectations. We arrive in cavalant after 15 minutes together on liquids climates and carressants of “Over The Sea” and the magic is already working even before the scene is in order and that the title, a slow uninterrupted ascent is reached its climax . And Clack, it’s the blackout! The spring-mounted 5 boys did not let dismount and continue, hilarious, to occupy the stage, clapping their hands and on their barrels. The public supports. It is awarded a Shark removed, tense, they issue in osmosis. The quintet ends with a “Speaking Machine” anthology, which with its low plumper, has the wingspan of a scenic Foals.
We Are Match is entitled starting a long standing ovation, a rarity for a first show of the day
<. div class="illustration"> © Gilles Scarella – Studio France Télévisions
While their first album, the stunning “Shores” is due on September 25, it is certain now resolutely to review in 2016 on much larger scenes: they have the size.
14.45 They are called heirs of Led Zeppelin. Germans Kadavar together at Rock en Seine lovers of big sound that move rhythmically head up and down as if to approve this decidedly rock material input.
14.35 Go for this third and last festival day. We Are Match (Industry Scene) and Kadavar (Main Stage) start almost simultaneously.
We are Match at Rock en Seine
© Culturebox screen capture
It’s 32 ° in the shade, the afternoon promises to be even hotter than yesterday. Good thing the program is equally important. From your computer, your tablet or your smartphone, you can follow the concert We Are Match, live on Culturebox, the first in a long series
21.25 Wow, what a slap! Writing Culturebox love Parquet Short from their passage here two years ago. And it is still full membership! Their supercharged punk garage, very square and free both worked wonders. At the crossroads of the best of New York and London post-punk, they exude a positive and inspiring energy. When will the big stage of Rock en Seine? In two years?
21.00 Go for Alt-J on the scene of the waterfall, another highlight of this third-awaited day.
“Tonight is our last festival summer, it ‘s gonna explode together. “the singer of Alt-J color ad in almost perfect French. In the dense crowd from the stage of the cascade, everyone seems to know the words unclassifiable songs of the group. And “explodes”, this is true even if it is unclear whether the musicians and screens do not help, their energy and public enthusiasm are communicative.
20.00 Tame Impala at least as expected Sunday at Rock en Seine that hookers watch on the Main Stage, sulfur and less apprehension. With its monumental but clear and precise as we would like to be rewarded more often in this place, Kevin Parker and his family sent from the second as the masterful “Let it Happen”, flagship of the new album “Currents” released in the heart summer. We waited and he dare: the way broken record sequence placed in the heart of the piece, that irritating incongruity during the first listening become so addictive that now calls the great
Barefoot. dressed in a shirt pink tie and die, the Australian leader of the psychedelic revival in recent years to the crowd and expressed his joy at being “back at Rock en Seine” where his band had played the same place two years ago.
19.50 The hoarse voice Mark Lanegan , former companion of Kurt Cobain resonates on the stage of the industry.
19.30 For more than two years now, it has closely followed the rise of Jungle , led by Josh and Tom, two multi-instrumentalists childhood friends and producers from London. Since the small stage in front of the Nouveau Casino 150 people to this major stage Rock en Seine, their pop funk has never disappointed. And for good reason: they have always made their chips with the scene in mind. Surrounded by two musicians and two singers, they held their tubes with a science of unstoppable groove: “Platoon,” “The Heat”, “Busy earning” and “Time”, while the album goes there and the public take this bubble warm to dance languidly. They are perfect but we can not help thinking it’s time to take back to the studio to renew the set. To see replay on our website.
19.10 very sparse before the Public Live Pressure scene to discover the new draft Luke Temple that has clearly not captivated festivalgoers who preferred to move to Jungle. It is true that the atmosphere is much more relaxed here, but also very attractive. With this group called Here We Go Magic , the singer from Brooklyn rose from his folk pop classic style to a much more daring rock tinged New Wave 80s and African music. A rare opportunity to ask for a moment in the hectic pace of the festival.
18.40 The British Hot Chip make the public dance to the Main Stage, it moves in all directions. We are surprised to hear a “Happy Birthday” sung in a voice pop Daft Punk or “Dancing in the dark” Springsteen electro sauce.
18.00 A little pop, a little soul, a little electro, Seinabo Sey offers a powerful show that owes much to his voice, deep and haunting, which grips you and keeps moving. She speaks (in English) with the public, does not hesitate to embark on a song a cappella: “We have the melody but has not yet occurred, we thought you were going to sing “…
17.45 The festival publishes now his attendance figure of 2015: 120 000 people over the three days . Like last year. This is the maximum gauge. Record equaled, Rock en Seine has filled up during the three days of excellent health sign!
17.10 They are not many people who came to listen to Natalie Prass Live on stage pressure. Retro melodies it accompanies a light, childish voice make you want to dance slow dances cheek against cheek and hair slicked back, returning 50 years back. That does not mean she has no guts: some of his songs more rock and more modern offering a mix of genres amazing. The crowd thickens elsewhere …
We had not seen so many people on stage the Casdade has this hour since the beginning of the festival. Ty Segall and his two friends had surprised everyone with their heavy album psyche and it goes on stage. To those who found the drive a bit gloomy, Fuzz responds with silliness. The three boys are playing with a good humor and total commitment. And despite a bit messy side is totally enjoyable
Fuzz Rock en Seine
© Gilles Scarella – Studio France Télévisions
Sacred Ty, we want more (if our eardrums can take a little shocked).
Natalie Prass 16.50 starts in five minutes, before the person scene Live pressure. Where festival goers are?
16.25 Come and see what kind of wood to warm the French rock phenomenon Last Train on the stage of Industry. The singer and guitarist Jean-Noël plays and sings as if his life depended on it. Very young mad dog, it does not take up, holds his guitar as a driving a racing car, braille his lungs and regularly launches fine stump up. In the fourth title, there is more and down into the pit has to rub the crowd. During the break misleading the song, the audience roared in anticipation of the power jet he feels unstoppable rise.
My Morning Jacket 16.15 began her concert on the big stage. Straight landed in Louisville, Kentucky, Jim James and his comrades rake off musically, melting rock, pop and folk, among others. Their sound enveloping has style. Party at the end of the advanced stage, the singer’s head is covered with a black towel and sequencer carries his around his neck.
With its trippy and very sophisticated melodies, while remaining strong, My Morning Jacket managed to tame the public of the afternoon, not the easiest.
15.30 Shirtless, hat and big smile to the lips, Juan Wauters and look of Jonathan Richman brings a breath of fresh air on the lawn of the stage of the cascade . Accompanied by two companions roads in unprecedented style, the songwriter recites with great generosity beautiful folk walks in front of a portrait surtitles “Who me?” Crude art of great sweetness. Perfect for an early sunny afternoon. A report that Juan Wauters was signed by the label of Mac DeMarco (Captured Tracks), a rowdy others who impressed here last year.
15.20 A singer dancing as if his body was made of rubber, a similarly elastic voice, slightly doctored, crossed the synths, this is the recipe for psychedelic rock Pond . The musicians, most of whom also play with Tame Impala, have many fans on-enthusiastic about the scene Live pressure, generally more confidential. And fan, it must be to lay sweating in the music Pond. “It’s hot damn. I like being dropped in a pool,” says the singer. Pond mean basin, very appropriate.
14.50 We knew we could count on them, the five boys We Are Match does not disappoint us. But in this early third day Rock en Seine, their set proves beyond expectations. We arrive in cavalant after 15 minutes together on liquids climates and carressants of “Over The Sea” and the magic is already working even before the scene is in order and that the title, a slow uninterrupted ascent is reached its climax . And Clack, it’s the blackout! The spring-mounted 5 boys did not let dismount and continue, hilarious, to occupy the stage, clapping their hands and on their barrels. The public supports. It is awarded a Shark removed, tense, they issue in osmosis. The quintet ends with a “Speaking Machine” anthology, which with its low plumper, has the wingspan of a scenic Foals.
We Are Match is entitled starting a long standing ovation, a rarity for a first show of the day
<. div class="illustration"> © Gilles Scarella – Studio France Télévisions
While their first album, the stunning “Shores” is due on September 25, it is certain now resolutely to review in 2016 on much larger scenes: they have the size.
14.45 They are called heirs of Led Zeppelin. Germans Kadavar together at Rock en Seine lovers of big sound that move rhythmically head up and down as if to approve this decidedly rock material input.
14.35 Go for this third and last festival day. We Are Match (Industry Scene) and Kadavar (Main Stage) start almost simultaneously.
We are Match at Rock en Seine
© Culturebox screen capture
It’s 32 ° in the shade, the afternoon promises to be even hotter than yesterday. Good thing the program is equally important. From your computer, your tablet or your smartphone, you can follow the concert We Are Match, live on Culturebox, the first in a long series
With a very active sun and equaled attendance record with 120,000 spectators for three days, Rock en Seine has offered a successful 13th edition, which closed Sunday evening promised with Tame Impala enough planing and alt- J.
Rock en Seine has passed its last tickets early afternoon, helped by summer temperatures and bright sunshine to successfully refuel and attract, like last year, 40,000 festival goers every night, the maximum possible. “It’s obviously very satisfying, even if one is not only on the logic of numbers,” said the director François Missonnier.
These figures fall in line with good scores achieved by other major festivals this summer: Solidays set a new attendance record late June the Belfort Eurockéennes have done as well as their 2014 record, and Old Plough confirmed . their status as first festival in France of contemporary music with more than 200 000 spectators
Main Rock satisfaction point in Seine: a full tank despite a “programming with a slightly different frame of habit “. A program based on one or two less obvious locomotives, like Arctic Monkeys last year, but more on complementary groups like Jungle, Tame Impala and alt-J Sunday.
The poster is obviously remained broadly true to the editorial line of hard-rock festival, with Interpol, The Offspring, Kasabian or The Libertines course, the concert Saturday night, although sometimes a little foutraque, created the event.
The program (about 70 concerts in all) was also more varied than usual with its French headliners (Daho, Miossec, Fauve) but also rap, electro and even a touch of soul this Sunday with the delicate American Natalie Prass rather delighted to present something different to rock fans.
The closing was announced planing including psychedelic rock of Tame Impala or electro rock and inventive alt-J, before the big “beats” electro pioneers of techno-rock The Chemical Brothers. Among the guests of the day, out music, were expected in the afternoon the President (PS) of the Ile-de-France, Jean-Paul Huchon, and the PS candidate in the upcoming regional elections, Claude Bartolone.
The festival, which sounds since 2003 the late summer with great fanfare guitars, is becoming more and more like a “tourist motor” of the Paris region every year with 30 000 spectators from province and “on average 15,000 foreigners” also welcomed François Missonnier.
The English are always the most numerous in the foreign contingent, came by whole bunches with their flags including Kasabian applaud Friday or hookers. Follow the Belgians and Spaniards, but “we also have more and more Germans,” adds Rock en Seine boss.
For its 14th edition, in 2016, the festival questions usefulness to grow, either by extending the site or by adding a day of concerts: “At the time, it makes want to program more groups, but these developments then would place the festival in an additional level of risk. Today, the situation may well be healthy, the economy remains fragile, “warns François Missonnier.
On Saturday, August 29, Hermione is back in its case in Rochefort in the Charente dating from the island of Aix, after nearly four and a half months at sea. The replica of ship had followed in the footsteps of the historic journey that took Lafayette fight for American independence in 1780. The tribute ended, it now alternate between periods of navigation and long stays as a centerpiece of the arsenal in his homeport.
On Saturday, a sailboat surrounded ballet Hermione at anchor. The banks were full of curious, from more or less far to greet one last time the great lady, applaud his cannon shots, and celebrate the crew. Libération was on deck time for an afternoon. Between two cannon fire, meet the crew, consisting of 15 professional sailors and sixty volunteers topmen.
Yann Cariou captain Hermione
“From sacred sailors”
“ Hermione surprised us, until the last days at sea. We knew that this boat was the ultimate technology of the time, but we still underestimated its performance and ours. There were more than 200 sailors on board, we were 80, and we did better browsing faster. All thanks to 15 professional sailors, I have chosen because they were the best, but also thanks to top-men, who were excellent volunteers. It is a great pride. We sailed with people who were not even from sailors, students, workers, artisans, most had never sailed before. They all became sacred sailors, and I know whereof I speak. We had difficult conditions, especially during the Transatlantic return, with these four depressions that we picked because we had a tight schedule and need for speed. They often had a heroic behavior, even if they do not recognize. What they did, I do not know if I could have done. When I think they worked up there clinging to the masts in heavy weather, struggling with the sails for two hours, I say bravo. And all this in an extraordinary atmosphere, because these are 80 people who joined the ship by passion. “
Antoine Faure Lieutenant navigation
“The values of the time were met”
“I have the honor to the last quarter, to be lieutenant navigation for even four hours, with all the excitement and emotion that implies. It happens a lot today, four months and a half after leaving. The Hermione has nothing, she is like a tree in winter without her veil, nothing. The loop is closed after more than 11,000 miles, more than halfway around the Earth. Everything was an adventure, launching the project, construction, shipping, return today. We are proud to bring Hermione and its sailors in top form. The boat has shown its power, I particularly remember a quarter where he was asked the most and where he gave it to us. It is in these moments that we see the strength that can have a group of people, and that cohesion can accomplish. It was written that this boat could sail well, we knew through the newspaper of the commander of Hermione of the time, De la Touche [Louis-René-de Madeleine The Vassor Touche, Count of Tréville says "Latouche-Treville"]. They made 14 knots, we had 13.3. We can consider that the time values have been reached. Today we know that we operated a historic replica as well as its original. “
Aurore Le Vilain, 32 volunteer boatswain
“This search for self, I knew I should find”
“I am a volunteer for the past year and a half. I volunteered on site at the end of the construction of the frigate, I participated in sea trials and maintenance during the rainy season. I will help also to disarm the boat arrived. It’s important for me to be there to the end, after living the departure and Transatlantic go. Originally, I am a translator. This adventure has nothing to do with my profession. These are all new areas of the brain that have been tested to learn how to navigate, I wanted to confront myself with manual labor. It was hard at first, it’s like using a muscle that we do not normally use, you feel weak. What I’ve come for, the search for self, I knew I should find. But I still find myself to feel happy in the strong sense, I do not expect to be so fascinated by engineering, for this good practice and mechanical sense that we acquire here. Topmen that are in a particular emotion is predictable. But to see the professionals, those who make it in life for thirty years, in that same emotion, it is the sign that goes something special on board. There’s an energy around this boat we can hardly explain. Everyone falls in love with the same boat and the same project, Hermione is a fastener. In the autumn, I will follow a basic training in maritime high school to get the little passport that will allow me to continue browsing. I do not know how will be organized later, but in any case I understood something and I’m less afraid to dream. Today is proof that it was well worth dreaming. “
Heloise Chaigne, 26 volunteer boatswain
“Yes, I’m able to go as high, pulling as hard”
“I’m training landscape. I’ve traveled a lot and thought a lot about what the trip means to me. I visited the ship while I was looking for work. I returned to Paris the same evening the letter was written to the captain, in one go, very instinctive. I volunteered for a year and I boarded June 27 in Philadelphia. I highly educated and for the first time in my life I had a lot of work, but I learned just for me. Neither a note or for a degree or for a contest, just because it made me happy. Manual work on board made me much good. There are tasks that require to be very clever, very patient, and sometimes you just pull with all his might. It was sometimes very tiring, but the body gets used, and it’s nice to feel physical fatigue, not just a nervous fatigue. There are things I obtained myself: yes, I am able to go as high, pulling as hard to sit in my harness and trust the equipment. Sometimes it also takes a lot of mental strength and concentration, I am mostly reported during the Transatlantic back when I was in the bar. For the rest, I deliberately did not predict anything. I knew it would be impossible to fix any thing after that. I needed to have a wide open door. I know what I do not want: spend my days working behind a screen. I did not want this boat to be just a parenthesis. “
Loïc Bailliard, 29 journalist on board Hermione
“If I shoot, how do I remember it ? “
” I have a role outside the watch on board, since I am responsible for documenting life on the boat. I was motoring journalist and someone I worked with told me about Hermione and asked me if I was ready to embark on five months. I put a quarter of a half a second to say yes, and five seconds to realize what I had done. I had by all and for all spent three weeks of my life on a boat before boarding Hermione. Telling such a trip is not easy. There are of course practical constraints: all tie on his desk, doing montages whatever the circumstances so that everything is sent by satellite to France. But it is also a great paradox between those moments when I did not know what to say and that feeling of frustration five months later, thinking of the videos that I did not, and things I did not know show. This boat, which are above all relations, difficult to show while taking account of what should remain private. And personally, there are days like today when I did not want to hold the camera. I have a clear memory of a sunset, the most beautiful, I chose not to film. A bosun asked me why. “If I shoot, how do I do to remember it?” At the same time, several times I remember having left the yards climb camera without cursing me to miss especially spectacular images. Sometimes, you also get to take a step back, which is not easy on a boat: step back in the proper sense, going to the outermost point of the boat to see sail. This is where you realize how what we see is just amazing. “
For the return of the frigate and her crew, Rochefort has planned a grand welcome, while sound and light meals in parades and costumed. The festivities have not dried up the weekend, and the streets still echo the songs of sailors. The heads do not think Hermione disarmed. And is still contemplating, illuminated in its dry dock: “She is beautiful, even chained” whispers a passer
.
He had enjoyed success with Heartbreaker . The filmmaker died Thursday at the age of 54 years. His fourth film should be released in 2016.
He will never complete his fourth film, A little job . Based on the novel Lain Levinson with Romain Duris, Michel Blanc, Laetitia Casta and Alice Belaïdi, it should come out in 2016. The news of the death of Pascal Chaumeil, 54, was announced by Christophe Carriere, a journalist with The Express . Born in Paris in 1961, Pascal Chaumeil began as assistant on Luc Besson trays: The Fifth Element , The Visitors 2, Leon … he had also worked with Charlotte Brandström, Pierre Tchernia, Régis Wargnier or Olivier Assayas. In 2010 he directed his first feature film, a romantic comedy called removed Heartbreaker , with Romain Duris and Vanessa Paradis.
The success will be there Involved: the film gets 3.7 million entries and five Cesar nominations. Encouraged, two years later, Pascal Chaumeil achieves a perfect plan relying again on a new duo, Dany Boon and Diane Kruger, but do not delight the crowds. In 2014, he began an achievement in English, A Long Way Down, based on a novel by Nick Hornby with Pierce Brosnan, Aaron Paul, Toni Colette and Imogen Poots (it is still not released in France). He also worked in television, including the famous comedy series Do not do this, not do that on France 2 and for another, darker, Spotless , with Marc -André Denis Grondin and Menochet on Canal + since March. Not to mention Lawyers and associates and Gear . “A great guy,” praised Gad Elmaleh on his Twitter account.
article
5045643
Culture / Entertainment – Cinema – News
Death director of “Heartbreaker” Pascal Chaumeil
The director Pascal Chaumeil’s death last Thursday to 54 years, do we learned Saturday. He was known for having signed the French hit of 2010, the “Heartbreaker” with Vanessa Paradis and Romain Duris, who …
http://www.leparisien.fr/cinema/actualite-cinema/cinema-pascal-chaumeil-le-realisateur-de-l-arnacoeur-est-mort-29-08-2015-5045643.php
2015-08-29 9:14:00 p.m.
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News Cinema, Movies, Cinema, 2015, death, director, of, Heartbreaker, Pascal chaumeil
0.30 It’s over for Libertines . With very contrasting views on their performance. Shamir and Jamie XX complete their respective scenes. This is the end of this second day as hot as it is varied.
23.10 No surprises, Pete Doherty and The Libertines are the appointment of Rock en Seine, with an audience compact mixture of fans and curious. Many English were moving and waving flags. There is energy in the first titles sent by the quartet. Carl Barat and Pete Doherty are fit and offer a punchy concert and serious
In the public, pogo are becoming more numerous.
22.35 Pressure mounts near the big stage. In half an hour, The Libertines will give the most anticipated concert probably that day. They will start on time? Follow their live set on Culturebox
22.10 The concerts are followed and do not resemble a Saturday night at Rock en Seine. After the Cold Wave Interpol is the turn of the hottest electro Gramatik . The Slovenian DJ is accompanied by two accomplices behind the turntables and a saxophonist. Transformed into a huge dance floor, the lawn of the scene of the Cascade will be difficult to rely!
The concert Gramatik, public side
© Olivier Flandin / Culturebox
Gramatik connects the most effective headlines, as usual bathed soul and jazz. With it, Django Reinhardt, Stevie Wonder and Prince are just their first concerts in Rock en Seine tonight! But with bass enhanced damn!
21.35 We knew little about the solo tour Cocorosie half. No song unveiled ahead is its reputation that brought the public Bianca Casady . Let ‘s suspected, she has a great sense of performance, with a very conceptual side surprises in the context of Rock en Seine. She drags her sad doll voice sounds that come from who knows where, musicians disappear into the spotlight. In nightgown and wide-brimmed hat, she sings, raps, speaks. Dancers “embody” the text: Casady said he wanted to break the traditional relationship of the singer with the public: it does not concern us, hidden under her big hat. It’s more gritty, less sweet than Cocorosie. Is the brainy break from the festival.
21.05 The sky darkens and Interpol come around. And it’s actually kind of international security. Formed in New York in the late 90s in the East Village (as Strokes, but the comparison ends there) the group has remained true to its dark line between rock and New Wave. Post punks not dead!
Etienne Daho 19.50 like festivals, large outdoor scenes. It’s new, it has been clicked the last year’s World Cup and since it broke out much before 40,000 people in intimate spaces. Showman, the Daho? For the last date of his tour Diskönoir, it puts the gum. Dressed all in black (shirt, jacket and scarf, he will quickly suffocate!), It packs an audience that knows by heart all his texts. The tubes are connected, very electric orchestration, no doubt it has its place here on planet rock European.
Etienne Daho on the Rock en Seine scene
© Culturebox
In the fourth piece, he drops the scarf. Actually, Daho moves little, minimalist stage set, microphone in his right hand, the left one is open and underlines words.
Arrangements favor a very powerful bass-drums line works better on its securities latest.
The first great moment of communion with the public “Weekend in Rome” after thirty minute concert, quiet version of this time, tambourine replace the battery. If it was not as day, we would have released lighters. Daho may pause, the audience takes over. In the aftermath, “Like a boomerang,” and it won. The final stretch is famous with, among others, “Fallen for France”, “Going out tonight”, “The First Day of the Rest of Your Life”, “Shoulder Tattoo” and “Blue like you.” Latest scores, the tour is over. Rennais and excellent musicians can be met, Rock en Seine fell for Daho.
19.45 On the other side, the crowd, very family, began to mass in front of the stage to see the Waterfall Etienne Daho , the unexpected madeleine programming indie rock festival this year.
19.40 The public Stereophonics extends well beyond the boundaries of the Great scene
19.00 Young Thug starts on Industry with a large synthetic sound. It harrangue the crowd out there that claim to launch their arms in the air. The audience in the front rows is in tune, thoroughly. Young Thug multiplies the false start to test the crowd. “All those who smoke grass, arms in the air,” he said before starting “Stoner”.
Later, he paid tribute to Jamie xx The xx, expected this evening on the same stage and plays the beautiful British title on which it is featuring “Good Times”. It’s the fans cheering and light a torch in the heart of the crowd.
18.50 Start concert so quiet force for Stereophonics . Londoners (of Welsh origin) are among the very biggest sellers of disks in England for twenty years even if they have never signed a mega hit. With the exception of ‘May be tomorrow’, led by the public that undulates gently in a beautiful light summer evening. The guitar solo is circumstantial .. And yet many of their pieces might become as magicians know these rock mix of big guitars and drum sounds with effective melodies of their choruses. A customized group for a late-night festival early summer.
The other specialty of Stereophonics, it is the big rides that inspire some languorous slow dances on the lawn of St. Cloud. Quickly interrupted by a leading “That’s life” in French in the text, taken from their new album due out in September.
A great time to live live on Culturebox
18.40 It’s not showing Rock en Seine but it is nevertheless there, behind the scenes, reporters came to present his new disc . Jean-Michel Jarre who held a press conference open to the public in the village in the heart of the disk of the festival, hoped to come next year to present his album Rock en Seine – Inch Allah, did -he said. He praised the way his friends who will be on stage with Etienne Daho and just now paid tribute to the brave technicians who set up the infrastructure all week in the rain. Tomorrow, he has said, he will see the concert of his friends the Chemical Brothers. See you in the crowd?
18.35 Many people in the aisles of Saint-Cloud Park and in front of the stage’petite “Live pressure” to discover the intriguing psyche pop Mini Mansions . The two leaders of the American group, including Michael Shuman, bassist of Queen Of The Stone Age, have known since the age of 11 years. Beautiful scene on complicity and some fantasies like a very personal cover of Blondie
18.00 Marina & amp. the Diamonds has treated the staging: surrounded by a group of men in black, Marina appears in combination tiger and a neon painted planets decor. A gigantic green strawberry rests in a corner. Who knows why. It’s very leche, not very communicative. As for defense, she sings “I am not a robot” – I’m not a robot. Really?
> 17.15 DBFC go! It is 45 degrees in the sun but the hindquarters not resist them! It’s official, we finally held in France our Depeche Mode. Also organic than synthetic, Bill David Shaw (aka Siskid) and Dombrance makes sparks. Their pop discoid goes especially well the test of the stage, where they are reinforced by two musicians including drummer Rachid Taha. Normal since the scene is the favorite playground of the two producer-singer-multi-instrumentalists. We dance, we dance but after sweating it embraces more person to Rock en Seine. We are all human puddles
17.00 On the big stage, up to Ben Howard , the English songwriter. The lefty virtuoso guitarist has already sold over a million copies, and was distinguished by two Brit Awards for Best Newcomer and Best Male Artist. His concert is here.
Its introduction is captivating, with tinged folk blues. Sitting or standing, focused on his vocals, Ben Howard book these flights that made his fame in England. With its look between Kurt Cobain and Neil Hannon of Divine Comedy, it also surprises with his torn voice and sometimes disconcertingly but still interesting to play the guitar.
Some fans of Ben Howard came equipped to stand out from the stage by the beautiful blonde.
16.25 An electric violin sound on the stage of the cascade, the Belgians Balthazar come in. Here in the studio, the band put on a carefully thoughtful sobriety. The singer starts the show with “Decency”. Guitar slung carelessly put in the back, he sings as yawns. But the public is kept alert by the force of his stage play.
16.05 Visibly delighted to be there, ready smile, the six musicians from The Maccabees are both a formidable efficiency and absolute coolness. The success of their fourth album may explain this. Just out, it is already first in the charts in England. Soft voices and guitars always nerve marry as well. A warm rock that makes up the heat on the lawn of the big stage already scorched by a blazing sun. “Such a beautiful Day!” exclaims the singer. The temperature still goes up a notch for the end of the concert where the public is more and more dense … and often shirtless in a scorching heat. You can experience this live concert then replay on our website.
16.00 The five musicians Forever Poppy , led by the French Emile Sorin, take us for a walk on the side of the sixties. Without being nostalgic, their psychedelic rock and cinematic mastery Vannier (Gainsbourg) and soundtracks old when they do not return the credits of Tintin. Retro but not that very successful and joyful frankly – they exchange many smiles as they admit die of heat – the quintet will remain as a beautiful instrumental discovery of this second day.
15.30 Batteries on time, Forever Poppy and The Maccabees open the programming of the second day. First impression in front of the big stage, the audience is still sparse. In fact, he took refuge on the fairways, where there is some shade. Because it is very hot today in Paris and its surroundings, 30 ° to St. Cloud. And tomorrow will be worse. We will have protection from the sun. Yesterday he had to avoid slush and therefore sandals today sunscreen, hats and mist are required.
Maccabees Orlando Weeks and Robert Thomas attack with a melodic and sophisticated rock .
Forever Poppy , meanwhile, unrolls its neo-psychedelic notes … live on Culturebox. A small snake charmers side, troubling in this blazing sun.
0.30 It’s over for Libertines . With very contrasting views on their performance. Shamir and Jamie XX complete their respective scenes. This is the end of this second day as hot as it is varied.
23.10 No surprises, Pete Doherty and The Libertines are the appointment of Rock en Seine, with an audience compact mixture of fans and curious. Many English were moving and waving flags. There is energy in the first titles sent by the quartet. Carl Barat and Pete Doherty are fit and offer a punchy concert and serious
In the public, pogo are becoming more numerous.
22.35 Pressure mounts near the big stage. In half an hour, The Libertines will give the most anticipated concert probably that day. They will start on time? Follow their live set on Culturebox
22.10 The concerts are followed and do not resemble a Saturday night at Rock en Seine. After the Cold Wave Interpol is the turn of the hottest electro Gramatik . The Slovenian DJ is accompanied by two accomplices behind the turntables and a saxophonist. Transformed into a huge dance floor, the lawn of the scene of the Cascade will be difficult to rely!
The concert Gramatik, public side
© Olivier Flandin / Culturebox
Gramatik connects the most effective headlines, as usual bathed soul and jazz. With it, Django Reinhardt, Stevie Wonder and Prince are just their first concerts in Rock en Seine tonight! But with bass enhanced damn!
21.35 We knew little about the solo tour Cocorosie half. No song unveiled ahead is its reputation that brought the public Bianca Casady . Let ‘s suspected, she has a great sense of performance, with a very conceptual side surprises in the context of Rock en Seine. She drags her sad doll voice sounds that come from who knows where, musicians disappear into the spotlight. In nightgown and wide-brimmed hat, she sings, raps, speaks. Dancers “embody” the text: Casady said he wanted to break the traditional relationship of the singer with the public: it does not concern us, hidden under her big hat. It’s more gritty, less sweet than Cocorosie. Is the brainy break from the festival.
21.05 The sky darkens and Interpol come around. And it’s actually kind of international security. Formed in New York in the late 90s in the East Village (as Strokes, but the comparison ends there) the group has remained true to its dark line between rock and New Wave. Post punks not dead!
Etienne Daho 19.50 like festivals, large outdoor scenes. It’s new, it has been clicked the last year’s World Cup and since it broke out much before 40,000 people in intimate spaces. Showman, the Daho? For the last date of his tour Diskönoir, it puts the gum. Dressed all in black (shirt, jacket and scarf, he will quickly suffocate!), It packs an audience that knows by heart all his texts. The tubes are connected, very electric orchestration, no doubt it has its place here on planet rock European.
In the fourth piece, he drops the scarf. Actually, Daho moves little, minimalist stage set, microphone in his right hand, the left one is open and underlines words.
Arrangements favor a very powerful bass-drums line works better on its securities . latest
The first great moment of communion with the audience: “Weekend in Rome” after thirty minute concert, quiet version of this time, tambourine replace the battery. If it was not as day, we would have released lighters. Daho may pause, the audience takes over. In the aftermath, “Like a boomerang,” and it won. The final stretch is famous with, among others, “Fallen for France”, “Going out tonight”, “The First Day of the Rest of Your Life”, “Shoulder Tattoo” and “Blue like you.” Latest scores, the tour is over. Rennais and excellent musicians can be met, Rock en Seine fell for Daho.
19.45 On the other side, the crowd, very family, began to mass in front of the stage to see the Waterfall Etienne Daho , the unexpected madeleine programming indie rock festival this year.
19.40 The public Stereophonics extends well beyond the boundaries of the Great scene
19.00 Young Thug starts on Industry with a large synthetic sound. It harrangue the crowd out there that claim to launch their arms in the air. The audience in the front rows is in tune, thoroughly. Young Thug multiplies the false start to test the crowd. “All those who smoke grass, arms in the air,” he said before starting “Stoner”.
Later, he paid tribute to Jamie xx The xx, expected this evening on the same stage and plays the beautiful British title on which it is featuring “Good Times”. It’s the fans cheering and light a torch in the heart of the crowd.
18.50 Start concert so quiet force for Stereophonics . Londoners (of Welsh origin) are among the very biggest sellers of disks in England for twenty years even if they have never signed a mega hit. With the exception of ‘May be tomorrow’, led by the public that undulates gently in a beautiful light summer evening. The guitar solo is circumstantial .. And yet many of their pieces might become as magicians know these rock mix of big guitars and drum sounds with effective melodies of their choruses. A customized group for a late-night festival early summer.
The other specialty of Stereophonics, it is the big rides that inspire some languorous slow dances on the lawn of St. Cloud. Quickly interrupted by a leading “That’s life” in French in the text, taken from their new album due out in September.
A great time to live live on Culturebox
18.40 It’s not showing Rock en Seine but it is nevertheless there, behind the scenes, reporters came to present his new disc . Jean-Michel Jarre who held a press conference open to the public in the village in the heart of the disk of the festival, hoped to come next year to present his album Rock en Seine – Inch Allah, did -he said. He praised the way his friends who will be on stage with Etienne Daho and just now paid tribute to the brave technicians who set up the infrastructure all week in the rain. Tomorrow, he has said, he will see the concert of his friends the Chemical Brothers. See you in the crowd?
18.35 Many people in the aisles of Saint-Cloud Park and in front of the stage’petite “Live pressure” to discover the intriguing psyche pop Mini Mansions . The two leaders of the American group, including Michael Shuman, bassist of Queen Of The Stone Age, have known since the age of 11 years. Beautiful scene on complicity and some fantasies like a very personal cover of Blondie
18.00 Marina & amp. the Diamonds has treated the staging: surrounded by a group of men in black, Marina appears in combination tiger and a neon painted planets decor. A gigantic green strawberry rests in a corner. Who knows why. It’s very leche, not very communicative. As for defense, she sings “I am not a robot” – I’m not a robot. Really?
> 17.15 DBFC go! It is 45 degrees in the sun but the hindquarters not resist them! It’s official, we finally held in France our Depeche Mode. Also organic than synthetic, Bill David Shaw (aka Siskid) and Dombrance makes sparks. Their pop discoid goes especially well the test of the stage, where they are reinforced by two musicians including drummer Rachid Taha. Normal since the scene is the favorite playground of the two producer-singer-multi-instrumentalists. We dance, we dance but after sweating it embraces more person to Rock en Seine. We are all human puddles
17.00 On the big stage, up to Ben Howard , the English songwriter. The lefty virtuoso guitarist has already sold over a million copies, and was distinguished by two Brit Awards for Best Newcomer and Best Male Artist. His concert is here.
Its introduction is captivating, with tinged folk blues. Sitting or standing, focused on his vocals, Ben Howard book these flights that made his fame in England. With its look between Kurt Cobain and Neil Hannon of Divine Comedy, it also surprises with his torn voice and sometimes disconcertingly but still interesting to play the guitar.
Some fans of Ben Howard came equipped to stand out from the stage by the beautiful blonde.
16.25 An electric violin sound on the stage of the cascade, the Belgians Balthazar come in. Here in the studio, the band put on a carefully thoughtful sobriety. The singer starts the show with “Decency”. Guitar slung carelessly put in the back, he sings as yawns. But the public is kept alert by the force of his stage play.
16.05 Visibly delighted to be there, ready smile, the six musicians from The Maccabees are both a formidable efficiency and absolute coolness. The success of their fourth album may explain this. Just out, it is already first in the charts in England. Soft voices and guitars always nerve marry as well. A warm rock that makes up the heat on the lawn of the big stage already scorched by a blazing sun. “Such a beautiful Day!” exclaims the singer. The temperature still goes up a notch for the end of the concert where the public is more and more dense … and often shirtless in a scorching heat. You can experience this live concert then replay on our website.
16.00 The five musicians Forever Poppy , led by the French Emile Sorin, take us for a walk on the side of the sixties. Without being nostalgic, their psychedelic rock and cinematic mastery Vannier (Gainsbourg) and soundtracks old when they do not return the credits of Tintin. Retro but not that very successful and joyful frankly – they exchange many smiles as they admit die of heat – the quintet will remain as a beautiful instrumental discovery of this second day.
15.30 Batteries on time, Forever Poppy and The Maccabees open the programming of the second day. First impression in front of the big stage, the audience is still sparse. In fact, he took refuge on the fairways, where there is some shade. Because it is very hot today in Paris and its surroundings, 30 ° to St. Cloud. And tomorrow will be worse. We will have protection from the sun. Yesterday he had to avoid slush and therefore sandals today sunscreen, hats and mist are required.
Maccabees Orlando Weeks and Robert Thomas attack with a melodic and sophisticated rock .
Forever Poppy , meanwhile, unrolls its neo-psychedelic notes … live on Culturebox. A small snake charmers side, troubling in this blazing sun.
