Hosted by a warm applause after its projection at Cannes , Mad Max Fury Road George Miller sees back more than thirty years after its original opus. To avoid pale in the universe crammed with testosterone blockbuster, director designs a breathless chase two hours. It is limited to some conversational interchanges and narrative issues reduced to the state of elementary particles, favoring a long operatic movement unlicked visually stunning.
In this manufacturing a block spring elusive protean object both excessive in form and majestic in its ambition. The anarchy that imposes itself from the first seconds of the viewer requires a membership to a bias crazy: diving these five senses within a gleaming tower rides. If we go by the spirit that was capsized ours at the exit, we can say that Miller has succeeded.
The note: 4/5
The immediate reactions after the screening of Mad Max Fury Road Thursday morning in Cannes
No comments:
Post a Comment