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She is happy! She snapped the word, savoring all smile slips winks, light joke. It remains nature with grace assuming his new status as director of dance at the Paris Opera. “Can not say no to such a proposal, this is a chance in life! “ if she exclaims to summarize its decision to seize the opportunity that fell on his head. “Obviously this is a tipping point, but I still had time to understand about me for thirty-two years I dance here! ‘
Read the story: No three to the Paris Opera
Yes, Aurélie Dupont knows his stuff. At age 10, she dreamed of becoming a star dancer and eventually reach the highest rank. She knows what stuff is made across the hierarchy Ballet. She measured the differences, perils and sacrifices. She hears, contrary to Benjamin Millepied, respect the game rules in force at the Paris Opera but “keeping it flexible.” “The stars have worked hard to get where they are , she adds. They are in office, they must dance. “ way of saying that, in a context of weakened company, it will ensure the best of the 154 performers of the troupe, stars as the young shoots. “I know everyone here and I will do my best so that everyone has fun at work. “
1999
on 16 January 1999, Aurélie Dupont has just turned 26 years. The picture was taken shortly after his appointment as principal dancer at the end of a performance of “Don Quixote”, Rudolf Nureyev.
AFP / Jack Guez
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virtuosity and theatricality
pleasure Aurélie Dupont will have found after years of combat. classic route to the dance school, then arrived in the company where she was named star to 25 years in 1998, after a performance of Don Quixote , in the choreography of Rudolf Nureyev. Some cold cataloging; she said shy. Technician classic sharpened, it is also chosen to dance in contemporary performances signed Pina Bausch, Angelin Preljocaj, Sasha Waltz, Wayne McGregor, Teshigawara …
In his farewell party on 18 May 2015 to 42, retirement age at the Ballet of the Paris Opera, Aurélie Dupont chose L’Histoire de Manon choreographed by Kenneth MacMillan. Cédric Klapish, friend of the dancer to which he devoted a documentary entitled Aurélie Dupont, For a moment the (2009), will film the ultimate representation. “Just put a camera in front Aurélie Dupont to see that it is exceptional,” the director confided during the development of this recording, broadcast live. With, in the interpretation of Manon, this fine articulation of virtuosity and theatricality that distinguishes the actress as a dancer at the top of his
Read the report. The ballerina Aurélie Dupont bows
the one who declared, in 2010, “love, child, dress up rather than witch little princess and prefer tragic characters with real dead to both beautiful and ugly “ was particularly spoiled in this role of kid too sexy, too beautiful, too poor to withstand outdoor men and jewelry. This is in tatters dress Manon harnessed a shaggy wig, disfigured but beautiful, mottled with mud, she received during long minutes the ovation of the palace Garnier during the evening.
a “muse” for Benjamin Millepied
Benjamin Millepied, whom she is close, the choose for his ballets Amoveo (2006) Daphnis and Chloe (2015). “She was a muse to me,” he slipped at the press conference announcing his resignation and appointing Aurélie Dupont. He will offer him to assume the role of ballet master at the Paris Opera, she eventually decline. “Being director of dance is very different , she says. Obviously, having good ideas is one thing, but we must also imagine a season, sell tickets … “
But still, as she said in his artistic career, mother of two (Jacques, 7, and George, 4 years), jewelry designer in his spare time in his dressing-shop, “keeping lightness and distance.” She adds: “This is how I approached the dance, never forgetting that it is serious but also fun. “ She began seriously to imagine the 2017-2018 season and have conceded already finalized a ” huge list of choreographers and ballet she would like to program. ” do is choose. Aurélie Dupont officially take office in September 2016
Read decryption. Benjamin Millepied resigns as director of dance at the Paris Opera
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