The first radio drama series, adapted by Katell Guillou, is broadcast at 20:30 from Monday to Friday.
Will follow Tintin and “ The Blue Lotus ‘, for which registration is expected in September and the albums” The Seven Crystal Balls ” “ the sun Temple ” and “ the Affair .”
“ The Castafiore Emerald ” complement the collection.
“ This is the first time I realized an ambitious project “, told AFP the director Benjamin Abitan.
“ Tintin is so dense, there are so many sets, additional sound effects, different soundscapes that we spent our time chasing after the young reporter literally , “he adds.
Tintin still pursuing someone or something in this adventure that leads him to the East. He falls into a boat, is found on horseback, constantly moving from one box to another, from one board to another.
“ There is a working implementation which requires new devices regularly ,” he says, “ had underestimated the amount foley necessary as the plane crash, the engine noise, the wings snapped in the trees … “
the image has been taken as reference” not to miss anything important . ”
It was necessary to ensure to be “ immersion as when the child reads comics ,” he says, “ when it is small the characters have the voice we give them . ”
Noam Morgensztern, 35, the French actor entered Tintin skin found the arduous adventure just because “ everyone knows this character whose voice is in the head each . ”
– “ it is not cheating ” –
But it was not raised in the cult of the young reporter but with characters from Gotlib in the volumes of Category-knacks. “ Tintin is not someone I had to look at me, I work as if I had to play a new James Bond ,” he says, laughing.
It is a complex character Tintin, nothing seems to affect.
“ I slip every time it is very thorough as work. It requires all make intimate, you almost whispering all ,” says the actor, “ the others are colorful, but Tintin one wonders what he thinks, he is subtle and full of emotions, we think we caught one, but he is already elsewhere, it goes very fast “.
The radio exercise interests as opposed to the theater where we also play in the back row, “ on the air, there is something that does not cheat at all, we is watching what everyone did, it plays millimeter . ”
Under the white coat Snowy, Jeremy Lopez, 31, the last Romeo of the Comédie-French, found the exercise “ rather funny .”
“ I expected to do the voice of Milou, but not to play the dog ,” he admits. To his surprise, the director asked “ to create a universe of Milou .”
He began by squatting standing when others recorded. “ I watched from below, by far, much dominated in a report, he says, I breathed hard to mark my presence but he had to be thin enough not to take over . ”
Tintin sound identity was composed by the musician Olivier Daviau closely with Benjamin Abitan. “ It was a very good meeting, his music performed by the Orchestre National de France under the direction of Didier Benetti plays a real driving force .”
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