Starting delicious postulates – “ Together, but separately “, “ Without seeing, we listen better ” – the scenario thwarted two destinies collide, that of an agoraphobic bears in search of paradise lost, that of a woman-flower whose outbreak was curbed.
At the head of these two anomalies, the apprentice director finds the right tone, oscillating between fantasy and without affectation melancholy
Facing Clovis coasting, Mélanie Bernier -. Finally, a true role! – Sports a little ingenuous air to Amelie and reign over this charming fable, enhanced by impeccable supporting cast. The irresistible Philippe Duquesne, hyper Gainsbourg, finding material to express themselves generously.
Apart from some flaws subtlety, flattery to the public and a little muddy valves, the romantic comedy so Cornillac undoubtedly stand out. It is only considered his ambition to cinema, its Cinemascope, his sense of light, exquisitely smooth, the relaxing effects of a camera with old, conscious classicism. Quiet cushy! No effects of fish.
No comments:
Post a Comment